Case: A cop
is shot in an apparent robbery; Everyone is looking for Paddy’s “book” of all
the officials on his payroll
RizzIsles: The
girls aren’t speaking because Jane shot Maura’s biological father; Internal
Affairs is investigating Jane and the team; Jane learns something about Maura’s
biological mother.
Jane: (urgently, breathless) I shot my best
friend’s father.
Korsak: You
had no choice.
Jane: Tell
that to Maura.
Korsak: Jane,
you shot a man who’s head of the Irish Mob.
20 years on the run. Suspected of
15 murders.
Jane: Yea he
was nice to her though.
Korsak: Biology
doesn’t make him her father or mean you stop doing your job. God I didn’t think this was the way we’d take
down Paddy Doyle.
Jane: (seeing Maura’s angry expression as she
starts to walk toward her) Oh God,
she hates me.
Korsak: She’s
just in shock, Jane.
Maura: (throwing Jane’s jacket back at her) Take your jacket. (starts
to walk away)
Jane: Maura. Come on.
I had to. Paddy showed up and
shot our suspect.
Maura: He shot
the guy who tried to run me over with his car yesterday, put my mother in the
hospital.
Jane: We had a
handle on it until Paddy crashed our operation.
Maura: Oh, you
mean your boyfriend had a handle on it. Thanks for letting me know that Agent Dean was
planning to join us.
Jane: I didn’t
know he was going to follow us in.
What’d you expect him to do?!
He’s a FEDERAL. AGENT. Paddy shot
him!
Maura: In the
leg! If Paddy wanted Dean dead, he’d be
dead.
Jane: What are
you say--. You don’t think your father
was there to take us all out?! Shoot me
too?!
Maura: He was
only there to protect ME.
Jane: If
that’s what you think, you are naïve, or ignorant, or I don’t know what.
Maura: Well,
at least I don’t play judge and jury and kill people. (storms
off)
Korsak: (walking back over to Jane) You guys will make up.
Jane: Yea,
that’s what they said about the Beatles.
We shoulda never let her do this.
Never.
FLASHBACK SCENE:
Wiring Maura before entering the warehouse
Maura: (nervously) This is my first undercover
assignment. (Jane moves around her getting the wire in place) Wait. (in deep, mock cop voice) I’m doin’ a U.C. (smiling,
amused) I feel like Donnie Brasco.
Jane: (giggles, keeps getting wire hooked up) Well, you don’t look like him. Can you keep it down, please? Okay, I’m gonna tuck this wire right here.
Maura: This
microphone doesn’t make me look like I have three breasts, does it?
Jane: I don’t
know, some guys are into that.
Maura: (laughing) Is this what you’d wear? To an undercover operation? I feel a little dressy.
Jane: I’d wear
a flak jacket.
Maura: Ugh. Ya know, I know this sounds vain, but I
couldn’t be a cop.
Jane: (mock sarcasm) You?!
Vain?! No.
Maura: Well
even you look a little chunky in a flak jacket.
Jane: WOW,
really?! Okay. Well, thank you, very much. And ya know what? I think your little Medical Examiner getups
make you look like a trash collector.
Maura: (shocked)
You do?! (outraged) So do I! I always feel a little dumpy.
Jane: (amused) Put your jacket on. (Maura complies) Ya wanna know what’s truly odd about you?
Maura: (shaking her head, making a face) No,
I’m not sure.
Jane: You are
the dumbest genius I know.
Maura: (exasperated sigh) I’m-not-sure means pause. It means do not blurt your subconscious
thoughts.
Jane: Oh
right. Sorry. (smirking)
Maura: Is this
displaced aggression because I get to go undercover and you have to be my back
up? (snapping
finger guns off her hips)
Jane: (amused) Yes.
Maura: Okay! Let’s go. (fixes
her hair)
Jane: Listen
to me. (squares off in front of Maura, tightly grasps her upper arms) Alright, this is serious. Somebody’s tryin to kill you to stop you from
investigating a murder.
Maura: You
don’t have to tell me that. I was there
when he nearly drove over my mother.
Jane: We’re
only letting you do this because we’re hoping that whoever this guy is, he is
desperate enough to follow you into that warehouse and try again. Alright, but we’re gonna be there this time.
Maura: (kid-like excitement) I’m ready.
Wait, what do you guys say right before you pull the string?
Jane: (dumfounded, rolls eyes) It’s called a sting, Maura.
Maura: Sting.
Jane: We say
“don’t get made”.
Maura: I like
that. (serious, mock cop voice) Don’t get made. Don’t look so worried. What could go wrong? (sweet
smile)
Korsak: Don’t
worry. We’ll get through it.
Jane: No, we
won’t. Especially when he goes to
interview the woman who cannot tell a lie!
Korsak: You
gotta call Dr. Isles and tell her how to play this.
Jane: (dials) She’s not
picking up. She knows it’s me.
Maura: Would
you have taken me if you knew I was Paddy Doyle’s daughter?
Constance: Maura,
darling. Your my daughter. Your father and I raised you. You’re ours, not his.
Jane: What is
Pike doin here?!
Frost: You
mean other than annoying the crap out of people?
Korsak: We’re
stuck with him until Dr Isles gets back.
Jane: Dr Pike,
how nice to have your expertise on this.
Pike: Double
homicide. Almost certainly a .38 caliber
bullet.
Korsak: (aside to Jane) Pretty big hole.
Jane: Uh,
maybe I’ll just take a look.
Pike: (hand out to stop Jane) Cause of death
is quite clear. Perhaps Dr Isles needed
your “expert” medical opinion because she doubted her own. I do not.
Jane: (sarcastically) Yes, we were all
frustrated with her wishy washy approach.
(flirty) I love a man who knows what he thinks. May I?
Pike: You may,
Detective.
Maura: The way
I reacted, I just bit Jane’s head off.
Adrenaline impairs cognitive sequencing, but still.
Angela: You
were afraid for your life.
Maura: Paddy
wouldn’t have shot me.
Angela: We
can’t help who we love.
Maura: I don’t
LOVE Paddy Doyle. He’s done terrible
things, it’s just, when Jane pulled that trigger… ya know, I never really see
how they end up on my autopsy table. And
he kept trying to tell me something.
“Hope”. He kept saying
“hope”. I wonder if that was her name…
Angela: You
mean your biological mother’s name?
(Interrupted by
doctor asking Maura to fill out Paddy’s DNR)
Maura: Do not
resuscitate. I have no idea what he
would’ve wanted.
Doctor: Just
think about it for a minute.
(Doctor leaves,
Maura starts crying)
Angela: (moving toward her) Oh, Maura.
Maura: (quickly pulling away) Please
don’t. My mother’s very reserved. I’m not very good at it either.
Angela: Jane
always used to squirm off of my lap. You
two have that in common.
Maura: You
should go home. I’ll be fine.
Angela: No,
I’m not. I’m gonna stay here with--
Maura: No, I’m
used to being alone. Please. I’ll be okay. (walks away)
Jane: (running off elevator to Maura) Maura!
Don’t say anything, just listen.
Maura: Jane,
I’m sorry too.
Jane: We don’t
have much time. (talking fast) The head of
Internal Affairs is on his way up to get a statement from you about the
shootings.
Maura: (angry, disbelief, annoyed) That’s it?! That’s it.
That’s all you have to say. Not
“I’m sorry that your father’s dying”?!
Jane: Oh he’s
your FATHER now? Am I sorry that a man
who’s wanted for 15 murders didn’t shoot me or Frost?! No, I’m not!
Maura: (arms crossed) Then why are you here?
Jane: To warn
you. Maura, if our friendship ever meant
anything to you, will you please think before you answer the questions you’re
about to be asked.
IA Guy: (yelling from down the hallway) Detective Rizzoli!
Jane: (rushed whispering) They’re doing an investigation. They’re building a case. They think we’re dirty.
IA Guy: Your
contempt for the rules is borderline criminal.
You are talking to a witness.
Maura: She was
just asking about my father.
IA Guy: You
are ordered not to talk to each other until our investigation is concluded.
(Jane walks away;
turns and makes eye contact with Maura as IA starts their questioning)
Jane: (sticking her head in side door at Maura’s
house) Psst! Is Maura here?
Angela: (whispering back) No. Why are we whispering? (Jane
sulks over to island) Do you
remember when you thought you and Becky Zisti were never gonna be friends
again?
Jane: I didn’t
shoot Becky Zisti’s father, Ma.
Angela: You
want some tea? It’s from the Szechuan
Provence. It gets its flavor from
pandas.
Jane: How does
it get its flavor from pandas?
Angela: Maura
says that the pandas fertilize the tea plants.
Jane: That
means they grow it in panda poop, Ma.
Angela: Oh! Want me to fix you something? What do you feel like eating?
Jane: People.
Angela: (closes fridge, turns to Jane and hugs
her) C’mon. It’s okay.
Jane: (pushing Angela away, whining) No, I don’t want a hug.
Angela: Well
at least you’re not Wally, poor fella.
He shoulda just had my lasagna at the café. So much safer!
Jane: Did you
really just say “at least you’re not Wally”?!
Angela: Oprah
says if you think of 3 good things that happened to you during the day, you’ll
perk right up!
Jane: (sarcastically obliging) Well, I’m not Wally. You stopped hugging me, and I don’t wear a
size 11 shoe. Geee I feel so perky!
Jane: (pointing to sketch on wall of woman crying
at grave) This is cheery.
Angela: Isn’t
it atmospheric?
Jane: Okay,
you’ve been living here way too long.
Jane: It’s
awful, like my life! (drops onto couch)
Angela: Is it
okay if I just pat your knee?
Jane: Knock
yourself out. (Angela aggressively rubs both of Jane’s knees, Jane smiles sweetly at
her)
Angela: You
know your father and I went to see a marriage counselor once.
Jane: You
did? Wow, that was money well spent.
Angela: There
was one thing Dr. Becker made us do that worked for a little bit.
Jane: Is that
when you had Tommy?
Angela: (annoyed, exasperated) For heaven sakes,
Jane! We already had Tommy! Dr. Becker made us tell him our story, about
how we met.
Jane: Maura
and I aren’t a couple, Ma. (Angela hugs
Jane tightly, throws herself across her)
Eww!
Angela: I’ll
stop hugging if you tell me the story.
Jane: Okay! Okay, okay, okay. Get off.
(Angela gets off, Jane
glares)
Jane tells Angela
her and Maura’s “story”
Jane: I was in
the drug unit.
Angela: I was
so frightened when you were doing that work.
Jane: If you
interrupt, or hug, I’m done. (Angela buttons her lip) So when you’re a girl doing Buy Busts,
you gotta be a hooker.
Angela: Mother
of Mercy! (whispering) You didn’t have
to do it, did you?!
Jane: C’mon,
Ma! No!
C’mon. It was my cover, I told
you.
Angela: Okay.
Jane: Alright,
so… I don’t have any ID. I don’t have
any money. I’m starving…
FLASHBACK SCENE > Coffee and donut get pulled away from customer at
counter
Jane: C’mon, Stanley, you know I’m good for it.
Stanley: I
don’t know anything about you, Tiffany.
(Maura walks in
smiling; her attention is caught by exchange at register)
Jane: Really?! $2 for a day old donut and bad coffee?! Please, c’mon. I’ll get you after my shift.
(From Maura’s POV
you can see that the woman talking – Jane – is clearly a trashy hooker)
Stanley: Hmph.
Think you’ll make that much?!
Jane: (starts packing her bag
back up, pissed off) Ya know
what?! I hope Big Mo tows your chevy (glimpse at Maura putting on a latex glove
and digging into her purse), your crap coffee gives you an ulcer, and you
die of psoriasis. (Stanley covers his arms; Maura, with money in her gloved hand, smiles
her way up to Jane holding the money out toward her) Do you mind?!
You can get your non-fat latte in a minute, alright?! (turns
away)
Maura: No,
it’s for you. Given the Vitamin D
deficiency likely from your, um, (whispering)
from your night work, you’re
better off with some plain yogurt and some leafy greens. (nodding
encouragingly)
Jane: I have
my life undercontrol, but Stanley here has psoriasis.
Maura: Psoriasis
isn’t contagious. It’s a genetic
disease.
Jane: What
about rudeness? Is that genetic too?
Maura: I was
simply trying to be nice.
Jane: Not every hooker has a heart of gold, alright
sister?!
Maura: Apparently
not, (neck snap) “sister”.
BACK TO PRESENT > Angela and Jane laughing on couch, Maura walks in.
Maura: You
shouldn’t be here. Not while they’re
investigating.
Jane: (getting up, walking toward her)
Why? What did you say to Conners?
Maura: I—well
you know I can’t say anything.
Jane: (holding Maura’s eye contact, gritting her
teeth) Ma, get your stuff.
Angela: (angry) Jane Clementine Rizzoli.
Maura: Your
middle name is Clementine?
Jane: Thank
you. Thank you very much.
Angela: I
thought it was pretty.
Jane: You’re
not staying here anymore.
Maura: Wa-- This isn’t necessary.
Jane: What?! Because your
family is so screwed up now you need mine?!
(Off everyone’s faces) What??
You’re the one who always says that blood is thicker than water. So, choose.
(Angela looks back and forth
between them) Hello?! That’s water, I’m blood. Okay, ya know what?! Suit yourself. Sit here, together and drink your excrement
tea. (walking
out)
Angela: Jane! Wait. (Jane
stands, crosses arms; Angela softly, to Maura)
I’m just gonna grab a couple things. (stops to look at sketch of
woman on wall, crying)
Maura: Angela,
wait. (takes down picture, gives it to her) Take it.
I’ve always hated it.
Jane: I’ll be
in the car. (leaves)
Angela: (tearful, whispering) You’re like my daughter too. (hugs
tearful Maura)
(Jane sleeping in
her bed, hand starts playing with her hair)
Jane: (wakes up, turns to see who is there, Angela
smiles) Ma, what are you doing in my bed?!
Angela: That
couch feels like a sack of marbles.
Jane: (grumpy whining) Get out.
Angela: (annoyed, getting out of bed) You made me
leave my luxuriana mattress for this kind of treatment?!
Jane: (annoyed and defeated) I’m sorry, Ma (turning back to where Angela was laying) I’m
sorry. (sees she’s gone) Ma!
Ma. Maaa! (Angela
walks out of room, Jane puts pillow on her face and screams)
Angela: (walking back into room) I’m not talking
to you. I’m not talking to you until you
say 3 nice things.
Jane: How are
you not talking to me, (sits up) IF
YOU’RE TALKING TO ME?! (Angela keeps her back to her, ignoring her)
I found all the lids to my Tupperware, and I, I, I don’t have leprosy. And (softer)
my really, really sweet mother left the comforts of her FREE Beacon Hill
guest house to come stay with me in my crappy little apartment because she
loves me.
Angela: (turns, walks to bed) Yes, I do. (reaches
for a hug)
Jane: No, no
hugging. No hugging. And this is where you tell me it’s not a
crappy little apartment.
Angela: Uh
uh. (shaking
head)
Jane: Ma.
Angela: (looks around, keeps lips sealed) Uh uh.
Jane: MA!!
Frankie: (Jane grabs omelet off his plate) Hey!
Nice manners. Your mother would
be so proud!
Angela: No she
wouldn’t!
Angela: Jane
Clemen--
Jane: (pointing) DON’T you say it.
Frost: I
thought you stopped with the jelly donuts.
Korsak: Don’t
bust my balls.
Frost: Keep
eating things like that you won’t be able to see your balls.
Korsak: I
don’t need to see my balls.
Frost: 20
grams of fat, Dude.
Korsak: What
are you a girl?
Jane: Ya know,
I’ve never said it before, but I’m a very big fan of your work, Dr. Pike.
Frost & Pike: (in unison) You are?!
Frost: (to Jane, glaring at Pike) Think anybody
would notice if there was suddenly another corpse down here?!
Jane: (sees Maura walk into her office, stands in
doorway) You’re back.
Maura: (back to Jane) Did you ever return my
book “Soothing Paint Choices for the Home”?
Jane: (annoyed) Yea a long time ago. (uncomfortably)
So you’re back.
Maura: That’s
odd because I can’t seem to find it.
Jane: Did you
ever return my “Guns of the World” digest?
Maura: (keeping her back turned) I always
return things I borrow.
Jane: You
sure?!
Maura: (turning around) Of course I’m
sure. Maybe you lost it. You do lose things. (looking
around her office, gathering things) Has
Dr. Pike been sitting in my chair?!
Jane: Could
be. Why?
Is it broken? Want me to find out
if he’s been sleeping in your bed too? (Pike walks into office)
Pike: Are you
looking for me?
Jane: What
about your food? Dr. Pike, have you been
eating Maura’s porridge?!
Pike: Of
course not.
Maura: I’m
glad that you think you’re so funny. (resumes gathering things)
Jane: It’s
better being funny than Poindexter the Know-it-all.
Maura: Well,
I’d rather be Poindexter the Know-it-all than the Hoi Polloi.
Jane: Good
one, Maura.
Maura: You
don’t even know what it means.
Pike: It’s
common. Literal translation is the great
unwashed.
Jane: Classy. Hide your insults in Latin.
Maura: It’s
Greek.
Jane: Oh, the
Geek that knows Greek!
Pike: (in background, making a call) We have a rapidly escalating assault and
battery in the morgue.
Jane: Do you
realize how ridiculous you sound?! Do
you know people laugh at you behind your back?!
Maura: Well
they call you a bitch behind yours!
Pike: (still into his phone) Yes, I’m keeping
a safe distance. I’m gonna have to put
you on speaker. (holds phone up as if taking a video)
Jane: Well at
least when my father gets pissed off he doesn’t stab people with an ice pick!
Maura: At
least my father didn’t move to Florida to sleep with some floozy he met at a
pizza parlor. Or was it a massage
parlor?
Jane: Oh look
at you! Goin’ all Trailer Trash Snookie!
Maura: I
watched that show ONCE! ONCE!! It was for ethnographic research!
(Cavanaugh comes
in, grabs phone from Pike, whistles)
Cavanaugh: Break
it up, ladies. What’s goin on?
IA Guy: What
the hell is happening in your house Lieutenant?!
Cavanaugh: I
got it under control.
IA Guy: I can
see that! A Homicide Detective and a
Medical Examiner are having a cat fight that needs police intervention!
Jane: A cat
fight?! (Italian hands!) Did you
really just call a disagreement between two female colleagues A CAT FIGHT?!
Maura: (aside) Actually aggression between two
female--
Jane: Oh for
the love of Pete, stop!
IA Guy: I want
Detective Rizzoli placed on leave.
Cavanaugh: I’ll
go one step better. Rizzoli I’m
transferring you out of homicide.
RizzIsles: (in angry stereo) WHAT?!
Cavanaugh: You
got 30 seconds to get your ass over to Evidence Management.
Jane: Place me
on leave! Don’t send me there!
Cavanaugh: Go
NOW! (Jane
glances at Maura and storms out)
Pike: What
about Dr. Isles? She was part of the cat
fight too.
Maura: (grabs her stuff, hands envelope to Pike) You’re in charge now.
Pike: I am?
Cavanaugh: What’s
in that envelope?
Maura: My
resignation.
Korsak: Jane
didn’t know Dean would be there. Is that
why you resigned?
Maura: I’m the
daughter of a mobster. You’re all under
investigation for trying to protect me.
Frost: Whoa! You’re melting down an Desert Eagle?! What a shame!
Jane: Unless
you wanna sneak it out in your pants.
Frost: There’s
no room.
Cavanaugh: (responding to knock on door) Come in.
Jane: Sir,
there’s something you need to see.
Cavanaugh: I
was starting to worry about you, Rizzoli.
What took you so long?
Jane: You put
me there on purpose, didn’t you?
(Scene change:
Cavanaugh picking lock at a house with BPD Homicide Team)
Cavanaugh: I
suspected Paddy had someone in Evidence so I figured who best to keep an eye on
things than pissed off Jane Rizzoli. We
get caught we’re here to get Wally’s dress uniform to bury him in. Got that?
Jane: Ma,
where is it?
Angela: Where
is what?
Jane: That
really creepy drawing that Maura gave you.
Where is it? Get it.
Angela: Why?
Jane: Just get
it. I promise I won’t hurt it. Please.
(Compares picture from Paddy’s
case file to drawing)
Angela: Oh my
God! Who is she?!
(Jane runs out)
Jane: (hold sketch and picture to show Constance
who is sitting by Paddy’s bedside in the hospital) Who is this?
Constance: It’s
Maura’s mother.
Jane: What’s
her name?
Constance: I
don’t know. I never knew.
Jane: He drew
this?
Constance: He
showed up at my Art Class at Harvard. I
thought he was a student. I tried to
encourage him. Then he just disappeared.
Jane: And
then, what, you found yourself pregnant with Maura?
Constance: (turning to look at Jane, annoyed) No. Paddy showed up months later with a newborn
in his arms. He said the baby’s mother
had died during childbirth.
Jane: Why
didn’t his family take Maura?
Constance: His
father would’ve killed the baby. He didn’t
trust anybody… but me.
Jane: Why did
he draw this?
Constance: They
used to meet at the Boston Cemetery. It’s
the only place they were safe from his father.
Jane: (kneeling at “Maura’s” gravestone) Paddy
told everyone that Maura and her mother had died. What if Maura’s mother is still alive?
Angela: I
think a parent would do anything to keep his child safe.
Jane: Even lie
to the woman you loved to tell her her baby died?
Angela: (softly) Even that. (kissing
Jane’s cheek, hugs her)
IA Guy: I’m
lucky like that Detective. (puts gun to Jane’s chest)
Jane: Yea. You feelin’ lucky right now? (Guy
pulls trigger, nothing happens) No
firing pin. I took them out of all the
guns. That’s not luck that’s just
covering my bases.
Cavanaugh: Good
work Rizzoli. Now get out of those
khakis and get back to homicide.
Jane: Thanks
boss. (sideways glance at Maura walking into Paddy’s room)
Cavanaugh: You
get better so we can move you to Walpole.
(Angry, hurt RizzIsles
eye contact)
Maura: (to Paddy) I want to know
something. Would you have shot her?
Paddy: (strained speech) Hell yeah. You’re a cop.
(Maura looks hurt and
uncomfortable)
Jane: I got
something I need to show you.
(Maura looks at
Paddy, follows Jane out of room) – (Maura kneeling at “her” grave, crying)
Maura: I
always wondered why she never looked for me.
Jane: Is there
anything I can do.
Maura: Please
go. (Jane
hesitates then walks away) Wait, there
is one thing. Tell Pike I want my chair
back.
(Hopeful Jane smile
as she resumes walking)
Italian Hands! >>
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